TANJA THORJUSSEN
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    • LOCUS Performance
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      • PAO and PAB Finse performance camp 2016
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      • Re-Culture III Patras Greece: Performance no. 1403
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  • Exhibitions
    • Eden and Everything After
    • Submerged Portal at Kunstplass, Oslo (NO)
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    • Mythistoria - Reykjavik (IS)
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    • Parabiose at Hå Gamle Prestegård (NO)
    • Vadsø Kunstforening and Transteinen/Varanger Sami Museum (NO)
    • Museum of Nonconsformist art / St.Petersburg (RU)
    • Museum of Avant Garde St.Petersburg (RU)
    • 57 Venice Biennale - Pavillion of Bosnia and Herzegovina (IT)
    • Cosmoscow - Norway Focus in Moscow (RU)
    • Visningsrommet USF / Arctic Hysteria / Bergen (NO)
    • Collected Stories at Luda Gallery, St.Petersburg (RU)
    • X-Contemporary Miami (USA)
    • Metamorphosis at Bryne Kunstforening (NO)
    • Mythistoria at Studio 17, Stavanger (NO)
    • Tegning Nå at Spriten Kunsthall, Skien (NO)
    • Mythistoria at Window Box, Oslo (NO)
    • Invisible Clarity at Tegnerforbundet, Oslo (NO)
    • Liminal Chiasma at Galleri 69, Oslo (NO)
    • Liminality at Trygve Lie Gallery, New York (USA)
    • Liminoid at Galleri Blunk, Trondheim (NO)
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Collected Stories by LOCUS at Luda gallery in St.Petersburg

Picture
In this group exhibition in St.Petersburg I exhibit the 210 cm x 70 cm drawing "Tupilaq Totem" and a Tupilaq object made of jawbone, feather and wood. The exhibition is created by Locus and also include the artists Javier Barrios, Amelia Beavis-Harrison, Thale Fastvold and Marianne Darlen Solhaugstrand.

Farrah Karapetian wrote about my work in this blogpost where she is contemplating scale in art:
"The shape of the paper support for the drawing – its narrow linearity – is also of course appropriate for the notion of totem, and totem I did see before hearing that that was the work’s title. The drawing has the essence of an exquisite corpse – that subconscious practice of conjoining unrelated forms – and something also of the essence of the tattoo – that compound pictograph in which a mermaid’s tale is linked to the skull of a harpy or an hourglass becomes a weeping face. All of these associations hint at ritual, and the value of an object associated with magic – something that one might want to clutch closely from place to place."
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